Photo Credit: Tunecore / Believe
Flaunt Weeekly Universal Music Group files a $500 million lawsuit against Believe and Tunecore for ‘rampant piracy’ and copyright infringement. Here’s the latest.
Universal Music Group (UMG), alongside its subsidiaries UMG Recordings, Capitol Records, and ABKCO Music & Records, with Concord Music Group, has filed a massive copyright infringement lawsuit against Believe and its distribution platform Tunecore.
The filing alleges Believe has built its business by knowingly distributing infringing copies of popular copyrighted recordings, including those owned by the plaintiffs. These include blatantly altered versions of tracks from artists including Kendrick Lamar and Lady Gaga, from which they took the royalties.
Believe’s distribution network, which includes partnerships with platforms like TikTok, YouTube, and Spotify, has allegedly enabled it to profit significantly from this unauthorized distribution.
UMG attorneys argue that Believe’s actions have caused substantial harm to their client’s business, artists, and other contributors, and are seeking damages of at least $500 million, in addition to a permanent injunction to stop Believe’s infringing activities.
“Believe’s client list is overrun with fraudulent ‘artists’ and pirate record labels who rely on Believe and its distribution network to seed infringing copies of popular sound recordings throughout their digital music ecosystem,” the lawsuit reads.
“While Believe is fully aware that its business model is fueled by rampant piracy, it has eschewed basic measures to prevent copyright violations and turned a blind eye to the fact that its music catalog was rife with copyright infringing sound recordings.”
The complaint outlines Believe’s practice of wrongfully collecting royalties rightfully owed to the plaintiffs and other copyright owners, and cites several specific examples of alleged infringement. These include the distribution of “sped up” or “remixed” versions of popular songs, for which UMG is alleging direct, contributory, and vicarious copyright infringement.
Believe is also accused of exploiting YouTube’s content management system to claim ownership of their recordings, thereby diverting or delaying royalty payments.
UMG is also claiming infringement of pre-1972 sound recordings, for which they are seeking statutory damages, injunctive relief to prevent future infringement, impoundment, and destruction of infringing copies, and recovery of attorneys’ fees and costs. They are also seeking a trial by jury.