The FR7 is the newest model in Sony’s cinema series. It builds the first full-frame interchangeable lens (ILC) PTZ camera in the world by fusing its existing imaging technology with remote-controlled robots.
As the first camera to integrate lens interchangeability, a full-frame sensor, and the PTZ capabilities, according to Sony, the new camera inherits the aesthetic of the cinema series and offers a “new universe” of remote shooting with precise and fluid pan/tilt/zoom (PTZ) robotics.
According to the firm, reality shows, serial drama, discussion shows, food shows, and music videos are the main uses for it (for example, in cooking shows it would make it easier to move a camera around a chef without getting in the way).
Additionally, the camera could be deployed in more traditional use cases for PTZ cameras, such as fixed event spaces, houses of worship, streaming events, concerts, wedding venues, fashion shows, and theaters.
According to Sony, the camera is based on three principles: appearance, use, and workflow.
The “look” is the camera, which is identical to the FX6 camera and features a backside-illuminated full-frame 10.3-megapixel sensor with 15+ stops of dynamic range and ISO performance from ISO 800 and expandable up to 409,600, which Sony says makes it ideal for placement where lighting cannot always be controlled. It supports a broad variety of codecs, including high-definition 4K 60p 4:2:2 10-bit out through HDMI and SDI and up to 120p at 4K.
In order to maintain subject focus, it also has Sony’s autofocus innovations like real-time eye AF and Real-time Tracking.
The FR7 and the FX6 vary in that the former can take microphones with an XLR connection but the latter cannot.
While it works with 70 E-mount lenses, the control of the “Z” in PTZ relies on lenses with built-in motors, and Sony says it is one of the only companies that currently produce lenses with built-in servo zooms which are essential for this line. Considered to be the finest solution, the 28-135mm f/4 will be provided as a kit option.
In terms of “functioning,” the camera can pan, tilt, and zoom smoothly at speeds ranging from 0.02 degrees per second to around 60 degrees per second. Presets can be configured for rapid repositioning, smooth or quick pan and tilt, or all three. In a regular upright position, the tilt angle range is between -30 and + 195 degrees, and the pan angle range is between -170 and 170 degrees when suspended from a ceiling mount.
Currently, only the focusing is functional for tracking subjects while utilising the PTZ function. It must be done manually or using pre-programmed features to pan and tilt.
In terms of workflow, the camera utilises both the RM-IP500 Pro multi-camera remote controller and a web app for brand-new camera control. The web app interface uses a smart screen design, touch AF control, and is available from a tablet or PC. The camera has a simple connection capability that can be accessed by using a tablet to scan a special QR code that is located on the camera itself. It can be utilised through Ethernet or WiFi.
The basis of the model, not the camera module, but the camera itself, supports CFexpress Type A and SDXC memory cards, allowing the camera to record material in a variety of methods. It has an XLR type 5-pin connector for audio input, SDI out, optical out, HDMI type A output, and may be powered through LAN or DC IN.
At the end of November, the camera will be offered for $9,699 body-only, and for $12,199 with the 28-135mm f/4 PTZ lens.
