“He taught me how to play songs by Dream Theater, Iron Maiden and King Diamond… though I remember giving up on some of the John Petrucci solos!” Tor Oddmund Suhrke on guitar lessons with Ihsahn and casting musical illusions with Leprous

“He taught me how to play songs by Dream Theater, Iron Maiden and King Diamond… though I remember giving up on some of the John Petrucci solos!” Tor Oddmund Suhrke on guitar lessons with Ihsahn and casting musical illusions with Leprous

Flaunt Weeekly

The term ‘progressive metal’ often suggests the kind of indulgent, neoclassical futurism typified by Dream Theater and Symphony X, but Norwegian quintet Leprous – arguably one of the most exciting names operating in the genre today – have chosen moods and atmospheres over sprawling overtures.

The group, formed by singer/keyboardist Einar Solberg and guitarist Tor Oddmund Suhrke in 2001, cut their teeth early on as the live band for Ihsahn, the man who famously pioneered the symphonic black metal sound through his work in Emperor. Such an opportunity during the band’s embryonic years benefitted them greatly in terms of musical development and helped sharpen their collective tools of the trade.

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Amit has been writing for titles likeTotal Guitar,MusicRadarandGuitar Worldfor over a decade and counts Richie Kotzen, Guthrie Govan and Jeff Beck among his primary influences as a guitar player. He’s worked for magazines likeAgain!,Metal Hammer,Classic Rock,Prog,Record Collector,Planet Rock,RhythmandBass Playeras well as newspapers likeMetroandThe Independentinterviewing everyone from Ozzy Osbourne and Lemmy to Slash and Jimmy Page, and once even traded solos with a member of Slayer on a track released internationally. As a session guitarist, he’s played alongside members of Judas Priest and Uriah Heep in London ensemble Metalworks, as well as handled lead guitars for legends like Glen Matlock (Sex Pistols, The Faces) and Stu Hamm (Steve Vai, Joe Satriani, G3).

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